
Parfumerie was written in 1937
back in Budapest. It is the story of a
high end family run business for perfume, bath salts, lotions, cosmetics, etc. Several
salespeople, a cashier, and one delivery/errand boy were employed by the owner,
Mr. Hammerschmidt. László interjected a
bit of social commentary when a customer complained about the cost of her
purchases and Hammerschmidt told her it was because of the government’s luxury
tax. László also mentioned the mandatory
curfew for all businesses when a policeman reminded Hammerschmidt that he needed
to close up shop now. The remainder of
the story revolved around the head salesman who answered an ad for a sort of
pen pal for Box 1222. Little did he
realize the object of his affection was his fellow employee who treated him
with great disdain!
Having read the play, I found that Parfumerie and The Shop around
the Corner (1940) were similar, but with subtle differences. Instead of Hammerschmidt, the owner was Hugo Matuschek.
The store in the play sold perfumes and cosmetics while the film dealt
with leather goods, music boxes, and cigarette cases. The head salesman in the play was Horvath,
while Jimmy Stewart was Kralik. The
gigolo in the play was Kadar and renamed Vadas for the film. The older employee was Sipos in the play and
Pirovitch in the movie. The love
interest for Horvath was Amalia Balash and for Kralik it was Klara Novak. Despite these little differences, the
storyline between the two were practically the same.
The
casting for The Shop around the Corner
was perfect with Frank Morgan giving a very good performance as the owner
Matuschek. He had just finished doing
The Wizard of Oz the year before with Judy Garland.
How ironic, yet fitting, that the next film version of László’s play, In the Good Old Summertime, should feature Ms. Garland in a musical adaptation as Veronica Fisher. Van Johnson had the Jimmy Stewart character and the ever lovable S. Z. Sakall, owner of Oberkugen’s music store played well off each other. The anonymous pen pal concept remained in this version too.
How ironic, yet fitting, that the next film version of László’s play, In the Good Old Summertime, should feature Ms. Garland in a musical adaptation as Veronica Fisher. Van Johnson had the Jimmy Stewart character and the ever lovable S. Z. Sakall, owner of Oberkugen’s music store played well off each other. The anonymous pen pal concept remained in this version too.
The
play was resurrected for a Broadway musical in 1963 under the name She Loves Me. The musical retained the two main characters,
Georg Nowak and Amalia Balash along with their secret pen pal romance. The play won several awards during its run.




In the end, You’ve Got Mail has the same result of the boy getting the girl as all the prior versions - film, play, and musical. Each of these productions has paid tribute to the versatility of the Miklos László work, and I’d be hard pressed to say which was my favorite. If you get a chance, do watch the original film version. It has charm, wit and humor, much the same way the Hanks-Ryan version does.
P.S. Thanks to my wonderful friend, Barb for assisting me with the photos!
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